Friday, 30 January 2015

[Y551.Ebook] PDF Download The Incredible Years: A Trouble-Shooting Guide for Parents of Children Aged 2-8 Years, by Carolyn Webster-Stratton

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The Incredible Years: A Trouble-Shooting Guide for Parents of Children Aged 2-8 Years, by Carolyn Webster-Stratton

The Incredible Years: A Trouble-Shooting Guide for Parents of Children Aged 2-8 Years, by Carolyn Webster-Stratton



The Incredible Years: A Trouble-Shooting Guide for Parents of Children Aged 2-8 Years, by Carolyn Webster-Stratton

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The Incredible Years: A Trouble-Shooting Guide for Parents of Children Aged 2-8 Years, by Carolyn Webster-Stratton

"A trouble-shooting guide for parents of children ages 2-8 years."

  • Sales Rank: #50431 in Books
  • Brand: Brand: The Incredible Years
  • Published on: 2006
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .79" w x 5.98" l, 1.17 pounds
  • Binding: Paperback
  • 320 pages
Features
  • Used Book in Good Condition

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0 of 0 people found the following review helpful.
Good Book
By Norma M. Wells
Bought for someone else, they like it a lot.

0 of 0 people found the following review helpful.
Five Stars
By Jackie Miller
good book with great ideas

0 of 0 people found the following review helpful.
Love
By Anne Constance Nixon
Useful

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The Incredible Years: A Trouble-Shooting Guide for Parents of Children Aged 2-8 Years, by Carolyn Webster-Stratton PDF
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Monday, 26 January 2015

[B550.Ebook] PDF Ebook The Trinity in German Thought, by Samuel M. Powell

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The Trinity in German Thought, by Samuel M. Powell

This book is about the Christian doctrine of the Trinity as it has developed in Germany. It argues there are three main ideas in that development: first, the way in which the Trinity has been seen as similar to the human self; second, the way in which differing understandings of revelation have affected people's attitude toward the doctrine; and third, the ways in which differing understandings of the conception of history have affected people's attitudes toward the doctrine.

  • Sales Rank: #4189150 in Books
  • Brand: Brand: Cambridge University Press
  • Published on: 2009-01-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .67" w x 5.51" l, .82 pounds
  • Binding: Paperback
  • 292 pages
Features
  • Used Book in Good Condition

Review
"The most salient virtue of the lucid and reader-friendly text is that it provides an eminently useful map for reading modern Protestant thought in general, and modern trinitarian thought in particular." Theological Studies

"The Trinity in German Thought is a superb analysis of the theological development of trinitarian theology in German Protestantism from the Reformation through the twentieth century. Powell's thesis is solid. ...Powell clearly demonstrates his thesis with critical insight and a breadth of knowledge that spans three centuries. His arguments are lucidly articulated and carefully nuanced. His grasp of diverse and difficult writers and the historical development of theological ideas is skillful and to be highly commended. Powell's publication is a signifcant contribution to Trinitarian thought, with a critical awareness of theological, philosophical, and historical distinctions." Toronto Journal of Theology

"A book that desperately needed to be written... engaging and stimulating...I highly recommend this book to professors and pastors alike who are interested in the many fascinating dimensions of the doctrine of the Trinity in contemporary debate." Anglican Theological Review Review

"Powell has here presented a detailed and convincing study of the way in which the three key ideas - revelation, selfhood, and history - have influenced German trinitarian thought." Theology Today

"With its breadth and clarity, this work is certainly to be recommended as a survey text for seminarians and others, and its usefulness as a reference work is enhanced by extensive footnotes citing German texts, and also by the inclusion of an extensive bibliography and index." Asbury Theological Journal

"Particularly for students of Leibniz, German idealism in general, and Hegel in particular, this book will be an invaluable source of information about the historical and theological context within which these philosophies need to be interpreted." Philosophy in Review

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Tuesday, 13 January 2015

[O357.Ebook] PDF Ebook Mathematical Fun, Games and Puzzles (Dover Recreational Math), by Jack Frohlichstein

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Mathematical Fun, Games and Puzzles (Dover Recreational Math), by Jack Frohlichstein

This entertaining text, developed by a math teacher, uses puzzles and games to introduce the basic ideas and operations of arithmetic. Following the standard middle school curriculum, the book presents 418 problems and 120 illustrations that�cover a wide range of topics: averages, fractions, decimals, percentages, powers, roots, and more. Puzzles range from easy to difficult.

  • Sales Rank: #861268 in Books
  • Published on: 2011-07-19
  • Released on: 2011-06-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.99" h x .64" w x 5.43" l, .71 pounds
  • Binding: Paperback
  • 320 pages

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4 of 4 people found the following review helpful.
Ideal for maths teacher!
By Jorge Gabriel Solari
This book provides a lot of interesting and funny maths activities which would be able to help dynamic teachers in introducing elementary techniques to their young students.

1 of 1 people found the following review helpful.
Outstanding book
By BJ Nick
This is an outstanding book that I have used in my classes for years and years. It has a wealth of material that is of a quality far above the usual compendiums of games that you usually see. Great games, challenges, tricks, etc. that you will love using with your students, and the range is from early grades on up to at least junior high and sometimes beyond.

Great stuff. While you're at it, buy an extra copy or two for your colleagues; this is one book you're going to love and use often.

0 of 0 people found the following review helpful.
Excellent math puzzles and games
By NV
Excellent math puzzles and games. There are some very challenging problems in this book. Most of the word problems require multi step answers and critical thinking skills. Some of the math games can be easily used for a variety of grade levels.

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Thursday, 8 January 2015

[U106.Ebook] Ebook Download Talent is Not Enough: Business Secrets for Designers (3rd Edition) (Graphic Design & Visual Communication Courses), by Shel Perkins

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Talent is Not Enough: Business Secrets for Designers (3rd Edition) (Graphic Design & Visual Communication Courses), by Shel Perkins

The best business guide for design professionals just got even better! This revised and expanded third edition includes everything designers need–besides talent–to turn their artistic success into business success. You’ll find information on key issues facing designers from freelancing to managing established design firms. A strong visual focus and to-the-point text take the fear factor out of learning about thorny business realities like staffing, marketing, bookkeeping, intellectual property, and more. These smart business practices are essential to success in graphic, Web, and industrial design. Here are just a few of the things you’ll learn:


• How to get on the right career path

• The best way to determine pricing

• How to avoid common legal pitfalls

• How to manage large projects

• The secrets of efficient design teams

• How to forecast your workload and finances

• Dealing with international clients

• The merging models of ad agencies and design firms


Talent Is Not Enough provides a big-picture context for these and other challenges and shares practical, real-world advice. Since its first publication, the book has become an essential resource for both students and working professionals in these areas and more:


• Design planning and strategy

• Corporate identity development

• Publication and editorial design

• Brand identity and packaging design

• Advertising and promotion design

• Marketing communications

• Environmental design

• Industrial design

• Motion graphics

• Interaction design

• Information design


“It is rare to find one individual with such a wide range of knowledge in the design-related fields. And, because of his experience as a designer, Shel brings a sensitivity and understanding to administrative issues while still respecting the artistic side of our industry.”

–Frank Maddocks, President, Maddocks & Company

�“Now that design skills have become a commodity, you need business skills to focus them. Shel has written a crackerjack book that will be on the shelf of every ambitious designer.”

–Marty Neumeier, author of The Designful Company, Zag and The Brand Gap

  • Sales Rank: #534444 in Books
  • Published on: 2014-08-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.40" h x 1.20" w x 5.80" l, .0 pounds
  • Binding: Paperback
  • 600 pages

Review

“Now that design skills have become a commodity, you need business skills to focus them. Shel Perkins has written a crackerjack book that will be on the shelf of every ambitious designer.”

Marty Neumeier

President, Neutron LLC; author of Zag and The Brand Gap

“This is the best left-brain business book I’ve ever read for right-brain designers. And, having two right brains, I know what I’m talking about. I’m recommending Shel’s book to every student of mine and buying a copy for each designer on my staff.”

Brian Collins

Chief Creative Officer, Brand Integration Group,

Ogilvy & Mather Worldwide

“Damn good advice! This is a fantastic business handbook for designers. It’s loaded with the specific, usable, real-world business knowledge that designers need. Shel has done a masterful job of making the information simple, clear, and easy to follow. This is a must-have book for any designer who wants to succeed in business.”

Billy Pittard

President, Pittard Inc.

“This is the most concise and brilliantly informative guide I have ever wished I’d read before establishing three studios for ATTIK. Shel has managed to capture a vast array of learning that most of us only gather after many years of trial and error – a guide that every independent designer or agency owner should have within arm’s reach.”

Will Travis

President, U.S. Operations, ATTIK

“Shel Perkins’ book Talent Is Not Enough is a gift to the design community. It is an extraordinary resource jam-packed with wisdom, advice, and sage counsel. It is truly a business bible for professional designers.”

Debbie Millman

President, Design Group, Sterling Brands;

host of Design Matters on VoiceAmerica Internet Talk Radio;

author of How to Think Like a Great Graphic Designer

“The title says it all. You can learn the hard way, or you can read this book.”

Brian Singer

Manager, Communication Design, Facebook;

author of Graphic Content and 1000 Journals

“If only I could give a copy of Talent Is Not Enough to every graduating student! It’s an invaluable guidebook. I wish it had been around before I went through my own education in the school of hard knocks.”

Louise Sandhaus

Program Director, Graphic Design,

California Institute of the Arts

“This is a virtual encyclopedia of essential design business information. I’ve practiced on both sides of the freelance/in-house fence for more than twenty-five years and it amazes me that there’s not a single business question I’ve encountered that doesn’t have an in-depth answer in this book. Just as important as the range of advice is the fact that Shel’s conversational writing style makes all the information accessible and easy to understand. This is the go-to resource for all design business topics.”

Andy Epstein

Chair, AIGA Task Force on In-House Design;

author of The Corporate Creative: Tips and Tactics for Thriving as an In-House Designer

“I have always found the business end of running a design studio to be somewhat daunting. I wish I had this thoughtful, clear, and accessible guide to business development ages ago so that I did not have learn through trial and error.”

Mark Randall

Principal, World Studio;

Program Chair, Impact: Design for Social Change, School of Visual Arts

“Every designer should have this book. If you’ve met the man or heard him speak, you get a sense of how brilliant he is, but you really have to read this book to appreciate how well he can explain the landscape of the design business.”

Doug Cheever

Goodreads.com

“Shel’s book is a how-to for everyone in the business – from start-up design firms to established agencies to in-house teams. I’m reading it again and I’m still learning things. It’s the next best thing to an in-person consultation.”

Stanley Hainsworth

Chairman and Chief Creative Officer, Tether;

author of Idea-ology: The Designer’s Journey

“I wish I had read this book when we started our business seventeen years ago. Or even ten years ago. Or even last month, come to think of it. There is a ton of incredibly valuable information in here.”

Bonnie Siegler

Co-founder, Number Seventeen

“There is no doubt that Gravity Tank owes its success in part to Shel Perkins and the business values he taught me early in my career. Now all that wisdom is captured in Talent Is Not Enough. All creative professionals running their own business should grab a copy immediately and start reaping the benefits.”

Chris Conley

Partner and Co-founder, Gravity Tank;

Track Lead, Human-Centered Product Design, IIT Institute of Design

“An invaluable resource for designers and small creative businesses. I made the mistake of lending this book out once and it never came back – so I bought it again.”

Amy Stafford

Your Shining Red Thread

“My students are required to read this book. It makes it crystal clear that landing (and keeping) a design job requires much more than just talent and technical ability.”

Mary Scott

Chair, School of Graphic Design, Academy of Art University

“As a first-time owner of a design studio, I find this book to be an invaluable reference guide. It provides options for challenges I face every day and the security of knowing I can deal with the unexpected. This is a must-have for any design professional.”

Brian Jacobs

Founder, Brick Design

“Where was this book when I was first starting out? Today, I keep it close to hand. It’s a fabulous resource for everyone in the design industry. Thank you, Shel.”

Sylvia Harris

Information Design Strategist, Citizen Research & Design

“It wouldn’t be an exaggeration to say that just about everything I know about running a design agency I learned from Shel and this book.”

Eric Heiman

Principal, Volume Inc.

“Finally – a comprehensive business guide written just for us. No designer should live without this book!”

Lynda Weinman

Co-founder, Lynda.com;

author of Designing Web Graphics

“Many design firms and designers have benefited from Shel’s sound business perspectives and advice. Now he has written a valuable guide that continues that process. The lucky readers of Talent Is Not Enough: Business Secrets For Designers will absorb many important messages that are essential to success. Shel deserves a ‘thank-you’ for rendering this service to all designers.”

Roz Goldfarb

President, Roz Goldfarb Associates;

author of Careers by Design

“Destined to become a dog-eared reference for all those parts of running a design firm that they never taught in college.”

Mitchell Mauk

Principal, Mauk Design

“Although designers are highly skilled at applying their creativity toward solving design-related problems, most lack the fundamental business knowledge that would enable them to start or optimally run a firm. Whether you’re a student, design contractor, or design firm owner, Shel Perkins’ book, Talent Is Not Enough: Business Secrets For Designers, is a comprehensive source of information on the professional practice of design.”

Gerard Furbershaw

Co-founder and COO, Lunar Design

“A great overview of all of the issues that designers need to know to be in business.”

Nathan Shedroff

Chair, Design MBA Programs, CCA;

author of Making Meaning and Experience Design

“A confident and perceptive mentor, Perkins creates a painless navigation through a range of strategies and issues.”

Communication Arts Magazine

“Shel Perkins has brought together the key insights and techniques every designer needs, whether they work from a spare room or a Madison Avenue cubicle. Use this book religiously: you’ll have more energy for what matters most – creativity.”

Bill Camarda

Read Only

“Whether you’re just getting out of design school, thinking of going out on your own, or having large-firm growing pains, this is the book for you.”

Mike Lenhart

GraphicDesignForum.com

“Packed with information on everything from how to get started to how to stay afloat.”

STEP Magazine

“This book is simply a must-have for anyone working in the design profession.”

Deanna Moore

AIGALosAngeles.org

“Shel Perkins spells out every aspect of business for every type of designer in a language that is easy to understand. From career paths to pricing to legal issues, no stone is left unturned. This book is an invaluable asset.”

Troy Finamore

Finamore Design

“It is by far one of the best – if not the best – graphic design business book I have read.”

Daniel Schutzsmith

GraphicDefine.org

“This is a fantastic book; everyone should have a (well-worn) copy. In Shel’s typical style, the information is delivered in clear, concise language. Required and highly valuable reading for us all.”

Rob Bynder

Principal, Robert Bynder Design

“Our favorite design consultant and your future best friend, Shel Perkins, literally wrote the book on this subject. Because he’s a designer himself, he can give advice in a way that doesn’t make creative types want to hurt themselves.”

Alissa Walker

UnBeige

“Perkins’ book should be required reading for any designer who would like to turn their design degree into a paycheck.”

Robert Blinn

Core 77

About the Author
Shel Perkins is a designer and design manager active on the business side of professional practice. He has served as director of operations for MetaDesign San Francisco and as vice president of operations for Clement Mok, and provides management consulting services to a range of creative firms in both traditional and new media. Shel has served on the national board of the Association of Professional Design Firms and as the president of AIGA San Francisco.

He has written and lectured on many topics related to design management and teaches Professional Practice at the California College of Arts and Crafts and the University of California. In 2002, Shel was honored as an AIGA Fellow "in recognition of significant personal and professional contributions to raising the standards of excellence within the design community."

Most helpful customer reviews

1 of 1 people found the following review helpful.
Everything You Need to Know about the Business of Design
By Corwin Hiebert
Never in my life have I read a book twice… but wouldn’t you know it, Shel Perkins’ revised and expanded third edition of Talent Is Not Enough is the book that broke my hard-and-fast rule. I didn’t see that coming—I would have guessed that C.S. Lewis or J.R.R. Tolkien would eventually gain that honour.

Perkins lifts the hood on the business of design better than anyone. This is by far the best business book out there for designers looking to develop a sophisticated independent business or studio. In fact, I highly recommend it to anyone looking to establish sound business practices within any creative service-based industry.

My only criticism of the book is that the layout is very dense and thus the book is dry at times. I’m not saying it should have pop-ups, colour pages, or scratch-n-sniffs, but the rigid textbook format will slow down right-brained readers.

I enjoyed reading it, but then again, my company exists to serve the business side of creative work, so I felt like I was reading the book I wish I had written. For creatives, my advice is to make sure you’re drinking something “fun” while reading this book, especially when you get to the section on legal issues. So… this won’t be your curl-up-by-the-fire book, but it will be the resource guidebook that you will reference time and time again when you need to make a smart business decision.

0 of 0 people found the following review helpful.
Five Stars
By BeAre
Most all of what you need to know. If you get a chance, take one of Shel's classes.

0 of 0 people found the following review helpful.
Five Stars
By akb714
Good design book!

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Thursday, 1 January 2015

[B473.Ebook] Ebook Views A-foot: Or, Europe Seen With Knapsack And Staff, by Bayard Taylor

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Views A-foot: Or, Europe Seen With Knapsack And Staff, by Bayard Taylor

This is a reproduction of a book published before 1923. This book may have occasional imperfections
such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact,
or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections,
have elected to bring it back into print as part of our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.



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Views A-foot: Or, Europe Seen With Knapsack And Staff

Bayard Taylor

Wiley and Putman, 1847

Travel; Europe; General; Europe; Travel / Essays & Travelogues; Travel / Europe / General

  • Published on: 2012-05-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.69" h x .85" w x 7.44" l, 1.64 pounds
  • Binding: Paperback
  • 418 pages

About the Author
Bayard Taylor holds an M.Div. with an emphasis in cross-cultural studies from Trinity Evangelical Divinity School. He spent four years working with Campus Crusade for Christ and currently is Senior Editor of Biblical and Theological Issues at Gospel Light/Regal Books. Bayard has also edited such bestselling books as So What's the Difference? by Fritz Ridenour and Fasting for Spiritual Breakthrough by Elmer Towns.

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Thursday, 25 December 2014

[K312.Ebook] PDF Download The Tempest (Bantam Classics), by William Shakespeare

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The Tempest (Bantam Classics), by William Shakespeare

This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore—as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart.

  • Sales Rank: #918541 in Books
  • Brand: Bantam Classics
  • Published on: 1988-02-01
  • Released on: 1988-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.88" h x .63" w x 4.18" l, .35 pounds
  • Binding: Mass Market Paperback
  • 240 pages
Features
  • Great product!

Review
"David Lindley's Tempest is the best edition on the market. [...] If I were ever again to undertake the editing of a Shakespeare play, I would keep Lindley's edition of The Tempest open beside me."
-Studies in Theatre and Performance (UK)

"[Lindley's] edition meets the high standards of the series in an exemplary manner, offering an especially fine introduction."
-Studies in English Literature

"David Lindley's edition of The Tempest is easily the most outstanding version of this ostensibly straightforward yet hugely teasing play produced over the last thirty years. Its precise and scrupulous commentary notes are careful to the variety of ways the text can be spoken on stage. Its notes on the music and songs are admirably evocative, and its economical account of the huge range of critical views will send thousands of readers out in fruitful chases after the play's own multitudinous interests.
- Andrew Gurr, editor of the forthcoming New Variorum Tempest

From the Publisher
This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart.

From the Inside Flap
This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart.

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0 of 0 people found the following review helpful.
Tempest in a Teapot
By J. Lawson
I have read the Tempest twice before, once as a teen-ager, once in college and now, in my retirement. I thought I understood the play as a teenager, did not understand it in college and really loved the play with the help of the footnotes in this edition. It brought home the humor as well as the pathos of questions of relationships with family members, the relationships between characters with different levels of social status, questions of loyalty and revenge and other examples of human behavior, even when some of the characters may not be human. Highly recommended.

1 of 1 people found the following review helpful.
Four Stars
By sheron
Made it easy for me to understand the wording in the book

0 of 0 people found the following review helpful.
It was a fairly easy read with a steady pace
By Amazon Customer
I needed this book for a college class. It was a fairly easy read with a steady pace, but some of the language was difficult to understand because it is in Shakespearean English. Good quality and arrived on time.

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Monday, 22 December 2014

[B959.Ebook] PDF Download Before Religion: A History of a Modern Concept, by Brent Nongbri

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Before Religion: A History of a Modern Concept, by Brent Nongbri

A fascinating exploration of religion as an invention of the modern world

For much of the past two centuries, religion has been understood as a universal phenomenon, a part of the “natural” human experience that is essentially the same across cultures and throughout history. Individual religions may vary through time and geographically, but there is an element, religion, that is to be found in all cultures during all time periods. Taking apart this assumption, Brent Nongbri shows that the idea of religion as a sphere of life distinct from politics, economics, or science is a recent development in European history—a development that has been projected outward in space and backward in time with the result that religion now appears to be a natural and necessary part of our world.

Examining a wide array of ancient writings, Nongbri demonstrates that in antiquity, there was no conceptual arena that could be designated as “religious” as opposed to “secular.” Surveying representative episodes from a two-thousand-year period, while constantly attending to the concrete social, political, and colonial contexts that shaped relevant works of philosophers, legal theorists, missionaries, and others, Nongbri offers a concise and readable account of the emergence of the concept of religion.

  • Sales Rank: #163409 in Books
  • Published on: 2015-09-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .70" w x 5.20" l, .0 pounds
  • Binding: Paperback
  • 288 pages

Review
�“Recent scholarship exposing the modern origin of ‘religion’ has awaited a treatise precisely like this: a wide-ranging yet careful exploration of the prehistory of the powerful idea. Written with clarity, ease, and grace, it is exceedingly informative and provocative.”—Tomoko Masuzawa, author of The Invention of World Religions: Or, How European Universalism Was Preserved in the Language of Pluralism (Tomoko Masuzawa 2012-08-09)

"This book provides a wonderfully clear and concise account of our modern notion of ‘religion.’�Written with erudition and insight, it challenges us to rethink everything we have thought about religions, past and present."—Peter Harrison, The University of Queensland

(Peter Harrison 2012-03-28)

“This lucid, broad and well-documented book focuses on the crucial periods of late antiquity and early modernity.� In it, Brent Nongbri makes a convincing case for a more careful and self-conscious use of the term religion. A remarkable synthesis.”— Guy G. Stroumsa, author of A New Science: the Discovery of Religion in the Age of Reason� (Guy S. Stroumsa 2012-08-09)

�“In this brief but challenging book Brent Nongbri defamiliarizes the notion of religion as commonly used. Even if one does not agree with all of his conclusions, the study of 'religion', be it in antiquity or today, will never be the same after the standards set by his book.”—Jan Bremmer, University of Groningen (Jan Bremmer 2012-08-09)

�“Inevitably, we use our own concepts to make sense of the past; failing to realize this, however, is an indictment of our work. Luckily, Brent Nongbri’s genealogy of the concept ‘religion’ will help keep scholars honest by making it tougher for them to portray their modern interpretations as disinterested descriptions.”—Russell T. McCutcheon, author of Manufacturing Religion: The Discourse on Sui Generis Religion and the Politics of Nostalgia� (Russell T. McCutcheon 2012-08-09)

“Compelling . . . a thought-provoking addition to scholarship on religion, history, and culture.”—Publishers Weekly� (Publishers Weekly)

“Sharp and learned . . . In addition to being an absorbing historical polemic,�Before Religion�is a fine example of the kind of curiosity and skepticism it advocates.”—Adam Kirsch,�Barnes and Noble Review
(Barnes and Noble Review)

“Fascinating”—Andrew Sullivan,�The Dish
(Andrew Sullivan The Dish)

“Valuable . . . a coherent, lucid, book-length argument that ought to convince the skeptic that ‘religion’ is a problematic category. . . . Nongbri’s book is a great place to start to question the inevitability of modern categories.”�—William T. Cavanaugh,�First Things
(William T. Cavanaugh First Things 2013-04-18)

"A significant contribution . . . a clear and carefully written book."—Naomi Goldenberg, Critical Religion (Naomi Goldenberg Critical Religion)

"Nongbri writes with admirable clarity, and with the historian’s grasp of detail, to encapsulate both recent innovations in theorizing religion and the religions, and the persistence of unexamined assumptions that fail to grasp recent contextualization of religion as European and modern. Nongbri’s concise account within a single volume is a valuable resource for research and teaching."—Jenny Daggers, Liverpool Hope University (Jenny Daggers 2015-04-01)

About the Author
Brent Nongbri is a postdoctoral researcher at Macquarie University in Sydney, Australia.

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6 of 6 people found the following review helpful.
Invented in the 16th and 17th Centuries, But Non-Existent in the Ancient and Medieval Periods?
By Scholastic Reader
This text documents the history of the concept we call "religion" today. It has been well known among historians that in the ancient and medieval worlds, there was no such thing that resembled "religion". There was no packaged concept of religion, nor was there a language available, in most cultures, to express such ideas the way we do. Though the term "religion" comes from the Latin term "religio", which was used in the ancient and medieval times, the book shows how diversely "religio" was used in those periods (for other ancient examples of diverse usages not found in the book see comment #1). Anyways, it was in the 16th and 17th century that the concept of "religion" as we know it, was invented and since then it has created numerous continuous problems such as the popular depiction of "religion" as a reified, abstract, monolithic, uniform, timeless, and universal "thing" that is found across time, cultures, and languages. We often use the word “religion" as if it were a packaged "thing" or identity and yet even holy texts such as the Bible or the Quran never identified people by their private transcendental/supernatural beliefs. Public ethnic divisions and customs were often used instead. The book states that when we talk about "religion" today, we are really talking about the modern concepts and biases/prejudices; resulting in projecting these back in time on people and cultures that never had "religion" - only to see a reflection of ourselves in ancient and medieval sources.

The book highlights numerous reasons as to why what is called "religion" today, was non-existent for people in the ancient and medieval worlds: ancient and medieval cultures did not have a "World Religions" concept, holy texts themselves such as the Bible and the Quran do not have a concept of "religion" or even equivalent words in the original languages; the terminology available in the ancient and medieval worlds (to express religiosity, the secular, the natural, and the supernatural) meant different things through time; terminology that we associate with "religion" today was not automatically associated with the supernatural, but included mundane uses as well; ethnic conceptions of "others" existed instead of privatized belief systems, etc.

However, once we get to the time of the Protestant Reformation, one begins to see the development of new terminology and uses of older words as inching towards the modern understanding of religion as privately held beliefs towards transcendental concerns. Such things occurred due to: the development of nation-states, splitting of Christianity into various sects, exploration and colonization, the encountering of distant cultures, interactions with different languages, and framing all of this in a Western Protestant Christian template (91-98). It is not surprising that today in academic circles and among the everyday people, "religion" is often associated and measured by things that look Christian-like (transcendental or supernatural components, holy texts, sacred buildings, revelations, rituals, etc). Even those who are supposedly nonreligious tend to talk about "religion" in such terms almost exclusively because they absorb the biases of the West. Thinking in these kinds of reductionist terms often misinforms people of historical realities and sometimes creates mutual exclusivity of actions and concepts when they never existed in the minds of people in the past. For example, the popular mentality of separating religious things from secular things is a modern invention. To us today, discovering that "secular clergy" existed in the medieval period might seem like an oxymoron, but for those in the medieval world, this was perfectly unproblematic and clear. In one sense, the ideas in this book do nullify lots of talk on "religion" (both positive and negative), but at least this history is now available to the public, instead of just among specialists.

Other good books on formation of language and concepts for speaking about "religion" are 'Religion' and the Religions in the English Enlightenment, The Invention of Religion in Japan (excellent detailed example on how the Japanese had no concept of "religion" in their own language or culture), and The Territories of Science and Religion.

The following is a short and non-exhaustive list of the contents:

1. What do we mean by "Religion"?

"Because of the pervasive use of the word "religion" in the cultures of the modern Western world (the "we" here), we already intuitively know what "religion" is before we even try to define it: religion is anything that sufficiently resembles modern Protestant Christianity. Such a definition may be seen as crass, simplistic, ethnocentric, Christianocentric, and even a bit flippant; it is all these things, but it is also highly accurate in reflecting the uses of the term in modern languages. Every attempted definition of "religion" that I have seen has implicitly had this criterion as its base. Most of the debates on whether this or that "-ism" (Confucianism, Marxism, etc.) is "really a religion" boil down to the question of whether or not they are sufficiently similar to modern protestant Christianity. This should not be surprising given the history of the category of religion. I need to say a bit more about definitions and current conversations about religion. For the sake of clarity, I articulate three points about the use of "religion" in contemporary popular and academic discussions. First and most important, for many modern people, religion represents an essentially private and spiritual realm that somehow transcends the mundane world of language and history...Note the dichotomy between external history and "faith". The latter is internal, "psychic," and "contemplative". Religion is not political, not concerned with current events; it is about "the heart". It is "unobtrusive." And for most importantly for what follows, religion is thought to be divorced from history. Thus, in this view, "religious 'traditions'" have "'external' histories," but there is something timeless and ahistorical about religion...The second point I want to make about the usage of the word "religion" (and "religions") in modern discussions is to note the habit of using the singular "religion" (largely conceived of in the way I just outlined) to refer to a genus that contains a variety of species, that is, the individual religions of the world, or World Religions. In such usage, these individual religions are generally presumed to different "manifestations" of some sort of unitary "ultimate concern."...My third point is more limited, having to do with how the term "religion" is used in academic discussions. In those contexts, the vocabulary of "religion" is often used in two quite distinct ways that are perhaps best called 'descriptive' and 'redescriptive' accounts, although an older, roughly equivalent vocabulary of "emic" and "etic" is still sometimes used. From an anthropological perspective, a descriptive account is an observer's best effort at reproducing the classification systems of a group of people being studied (this is not the "native" viewpoint itself, but the observer's best effort at reproducing that viewpoint). A redescriptive account, on the other hand, freely employs classification systems foreign to those of the people being observed. So, for example, the notion of organized political parties could be legitimately used as a descriptive concept when thinking about modern American culture, in which people routinely define themselves by "their political party" of their "political affiliation" or their rejection of the major political parties. If, however, we were to giving an account of, say, ancient inhabitants of North America, the use of political parties in such an account would be redescriptive (the ancient North Americans themselves might have used other grouping strategies, such as tribal affiliation or kinship groups, which would thus be legitimate terms in a descriptive account)." (18-22)

2. Lost in Translation: Inserting "Religion" into Ancient Texts

The diverse uses and meanings of the Latin word "religio", the Greek word "threskeia", and the Arabic word "din" in both the ancient and medieval world; the Arabic "din" is better translated as "law" than "religion"

3. Some (Premature) Births of Religion in Antiquity

Four early examples of how ideas of religion were interpreted in ethnic and civic terms, not something like private beliefs or supernatural beliefs; "Greekness" is how people understood the term "hellenismos"; Josephus used the term "ioudaismos" which can be translated as "judaism", but all he meant by it was ethnic customs of the Judeans

4. Christians and "Others" in the Premodern Era

The way medieval Christians spoke about Muhammad and Islam was not as if he was a leader of another religion or that Islam was another religion, he was seen a heretical Christian of some kind and Islam was seen as a heretical Christian sect, though later on Muslims were seen idolaters or other similar terms; Buddha was seen as a saint in Christendom under a different name, and was not seen as a leader of another religion; "Groups that modern scholars discuss as different ancient "religions" did not discuss one another in that way." (84)

5. Renaissance, Reformation, and Religion in the Sixteenth and Seventeenth Centuries

Edward Lord Herbert of Cherbury is known as the "Father of Deism" in the 1600s wrote about the "Common Notions" of religions as 5 things: there is one supreme God, God ought to be worshiped, Virtue and Piety are chief parts of Divine worship, we ought to repent for our sins, Divine goodness dispenses rewards and punishments in life and after death; the Protestant Reformation affected many dimensions of societies besides spiritual matters; the formation of the State; issues like the Wars of Religion were not about religions per se, but of the creation of religions in terms of private matters being made irrelevant to political matters - after all, there were allegiances between rulers from different religions and even Catholic rulers resisted papal authority; John Locke heavily influenced the concept of religion by associating texts for the purpose of salvation and redefining "church" to be a voluntary and private affair that did not interfere with the state and because of that it was to be tolerated

6. New Worlds, New Religions, World Religions

"In the preceding chapter, I tried to show how a world that had previously not been differentiated into "religious" and "secular" spheres became one in which religion was conceived of as an ideally private and nonpolitical realm." (106); age of exploration and colonization prompted the need to differentiate between people, ideas, customs, and beliefs as Europeans came into contact with them; new terms emerged in India and Japan, for example, to differentiate; World Religions concepts

7. The Modern Origins of Ancient Religions

"Many specialists recognize that religion is a troublesome concept when handling ancient evidence. Yet few scholars are willing to abandon the term. Instead, they have cultivated rhetorical devices to smooth over these conceptual difficulties and make religion seem timeless and universal." (133); "Europeans have in some form or fashion been aware of the gods of Greece and Rome continuously from the time of the earliest Christians. From the fifth century until the sixteenth century, most people who thought of Greek and Roman gods regarded them as demonic minions of Satan...among the more educated population, this view existed alongside (or intermixed with) two others. For some the Greek and Roman Gods were heroic humans of old who had come to be regarded as divine at a very early period (the so-called Euhemerist explanation of the gods, associated especially with Lactantius and Isidore of Seville). For others, the gods and their stories were simply harmless allegorical expressions of virtues and vices. Thus the Greco-Roman pantheon could safely adorn the art and architecture of public spaces (and even churches) throughout Europe, and Christian Neo-Platonists could with clear consciences freely employ deities of Greece and Rome in their symbolic speculations. With the increasing number of newly discovered classical manuscripts and the birth of modern archaeology from the time of the Italian Renaissance on came a growing interest in classical antiquity and its many gods. Yet even the great humanists rediscovering ancient Rome regarded its deities as something less than gods." (133-134); interaction with other cultures in the New World and rejuvenated interest in Greek and Roman culture influenced people in the 16th century to create reified images of these cultures with their national "essences" including comments on their "religion" as embodying the spirit of the people in these cultures; in the 19th century seeking early or original myths became a preoccupation of classicists; how scholars invented "Mesopotamian religion" in the 17th century and placed it on top the archaeological finds and how they described Mesopotamians as a people; "Although the Greeks, Romans, Mesopotamians, and many other peoples have long histories, the stories of their respective "religions" are of recent pedigree. The formation of "ancient religions" as objects of study coincided with the formation of religion itself as a concept of the sixteenth and seventeenth centuries." (152); "If we want to go on talking about ancient Mesopotamian religion, ancient Greek religion, or any other ancient religion, we should always bear in mind that we are talking about something modern when we do so. We are not naming something any ancient person would recognize. In our current context, we organize our contemporary world using the concepts of religion and secular. Furthermore, we carve up the religious side of that dichotomy into distinct social groups, the World Religions. Intentionally or not, when we bring this vocabulary to ancient sources, baggage comes along with it. Religion is a modern category; it may be able to shed light on some aspects of the ancient world when applied in certain strategic ways, but we have to be honest about the v=category's origin and not pretend that it somehow organically and magically arises from our sources. If we fail to make this reflexive move, we turn our ancient sources into well-polished mirrors that show us only ourselves and our own institutions." (153)

8. Conclusion: After Religion?

Continual problems faced when anyone tries to define religion; "Ancient peoples were not in the business of dividing aspects of their lives into "religious" and "not religious," so the approach to studying religion in the modern word that I just outlined would not be very effective when applied to ancient evidence." (156); considerations to keep in mind when using the word "religion" so as to not put word in the ancients mouths that they never intended

Overall, bravo. This book will surely challenge perceptions.

12 of 14 people found the following review helpful.
Shifted My World Perspective Fundamentally
By Peter Wall
This book is on the short list of those that shifted my world perspective fundamentally, then left me feeling like a fool for not reaching its conclusion on my own. I cannot recommend it highly enough to readers with any interest whatsoever in "religion," both the word itself and its many referents. Religion is contested vehemently these days: some insist that religion motivates or even causes the world's greatest evils, while others insist that people cannot get by in dignity without religion. If you hope to make sense of our world, and these disputes, without making a mess of your mind or fool of yourself, then pick up and read. Nongbri writes succinctly, persuasively, and engagingly. And the best part, if you like books that are doorways to other books, is that the endnotes, bibliography, and index comprise more than a third of the book.

5 of 5 people found the following review helpful.
Offers a fresh and crucial insight into the Western (mis)understanding of religion.
By Donald C. Maldari, S.J.
Before Religion is an extremely important book with the potential of a Copernican revolution in how Westerners understand the workings of world societies and cultures. Nongbri demonstrates that the understanding of the phenomenon commonly known as religion, and its distinction from the secular, is a new one and unique to the West. The West currently understands religion to be an optional and private subset of human culture. That is not what the word meant up to the Protestant Reformation and the Enlightenment. Its most ancient meanings referred to duties and obligations not only to the gods but also to people. In light of Nongbri's work one sees that before the Enlightenment people's relationships with their ultimate concerns, their gods, their final goals were not separated from everyday lives but an integral part of them. This is still the case in all non-Western cultures insofar as they are not influenced by the West's understanding of religion. Westerners could access major insights into non-Western cultures and politics if they realized that these people simply do not have religions as Westerners understand the term. Taking this insight one step further, there is no reason to believe that Westerners actually separate their faith in their ultimate concerns from their lives either, even if they think they do. Traditional theology or churches may not mean much to them, but everyone has an ultimate goal, even if it is unconscious, which shapes her or his activities, values and life. The no establishment of religion clause in the U.S. Constitution safeguards U.S. society from the domination of one faith-system over another and prohibits one "church" or faith-community from being the official one. It does not and cannot exclude faith from public life.

People who make their living from writing world religion textbooks and teaching world religion courses should be worried. Nongbri demonstrates that there is nothing to study except how the West thinks that it separated its faith(s) in its ultimate concern(s) in the last 400 years or so.

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